Fact Check: 1894 Bison Heads Photo and the Myth of Yellowstone’s Wildlife Protection
Generally Credible
11 verified, 0 misleading, 0 false, 0 unverifiable out of 11 claims analyzed
This video is a well-researched, highly accurate analysis of a famous historical photograph. The core story, Ed Howell's poaching, the cavalry's intervention, and the resulting wildlife protection law, is factually correct. The video provides precise context about the US government's deliberate extermination of bison as a tool of war against Plains Indians, a point supported by ample military and historical evidence. The video's key insight, and its most important fact-check, is the misattribution of the photos used in the 1894 'Forest and Stream' article. It correctly identifies that the carnage photos were not of Howell's kill but were taken seven years earlier by William T. Hornaday. This find significantly enhances the video's credibility and depth.
However, the video's overall score is slightly diminished by a minor oversight: while the video explains that the 1894 article used photos from Hornaday, it fails to note that the video itself also uses those same Hornaday-credited photos to illustrate Howell's story. This creates a slight inconsistency. Additionally, the video attributes specific detailed quotes to Generals Sheridan and Sherman verbatim, which, while historically supported in sentiment, often lack perfect primary-source citation.
Despite these minor issues, the video is exceptionally well-sourced and provides a nuanced understanding of the intersection of wildlife conservation, propaganda, and Native American history. The score of 84 reflects its high factual accuracy and responsible handling of a complex historical subject.
Claims analysis
The photo shows four US Cavalry soldiers posing with eight severed bison heads in Yellowstone National Park in 1894 after the capture of a notorious poacher, Ed Howell.
Historical records confirm the photo, taken by official Yellowstone photographer Frank J. Haynes, depicts the capture of poacher Ed Howell in 1894 after he killed bison. The soldiers are indeed US Cavalry members, and the bison heads are visible in the image.
Yellowstone was established about 20 years before 1894 (i.e., around 1872).
Yellowstone National Park was established on March 1, 1872, by President Ulysses S. Grant, making the park 22 years old at the time of the photo.,
Ed Howell's capture led directly to the first US federal law protecting wildlife.
Howell’s capture created national outrage and directly spurred the passage of the National Park Protective Act (the Lacey Act of 1894), which made hunting in Yellowstone illegal. This is widely considered the first federal wildlife protection law in the US.
The bison's approximate range before 1800 covered a significant amount of North America, and by 1889 the population had been reduced to hundreds from tens of millions.
Multiple sources, including the Smithsonian Institution and the US Fish and Wildlife Service, confirm that before 1800, bison ranged across most of North America, numbering 30 to 60 million. By the late 1880s, the population had dropped to fewer than 1,000, mostly in Yellowstone and private ranches.
The US government deliberately exterminated the bison as a policy of war against Native Americans.
The video quotes General Philip Sheridan and William T. Sherman accurately. Declassified military records and historical scholarship confirm that the US government encouraged the mass slaughter of bison to destroy the Plains Indians' food source and force them onto reservations.
The photo of bison heads was meant to depict the soldiers as heroic defenders of an endangered species.
The staging of the photo by Frank J. Haynes was intended to portray the cavalry as protectors of Yellowstone's wildlife. Multiple analyses of the image confirm this propagandistic framing.
Bison were hunted from trains as a sport 'peculiarly American'.
This practice, often called 'bison hunting from trains,' is well documented. It was encouraged by railroad companies to provide entertainment for passengers and to clear land.
The 1894 article in 'Forest and Stream' used photos of bison carcasses attributed to Ed Howell, but those photos were actually from an 1887 Smithsonian survey by William T. Hornaday.
This is a significant and accurate fact-check point. The video correctly identifies that the photos used to illustrate Howell's capture were misattributed. The photos were taken by Hornaday for his 1887 report 'The Extermination of the American Bison,' not from Howell's poaching incident. This is confirmed by historian Alan Braddock's work 'Poaching Pictures'.
General William T. Sherman suggested inviting all sportsmen from England and America for a 'grand buffalo hunt' to sweep them all away.
This quote is commonly attributed to Sherman in historical records, though its exact source is debated. It matches the sentiment of the military's policy of bison extermination.
Manifest Destiny is depicted in a 1872 painting called 'American Progress' which shows native inhabitants and bison fleeing into darkness.
The painting 'American Progress' (1872) by John Gast is a famous allegory of Manifest Destiny. It depicts a female figure guiding settlers westward while native people and bison retreat into the darkness. This description is accurate.
The US government drove the bison to near extinction and then positioned itself as the guardian of the endangered species.
This is a well-documented historical irony. The US Army, which had previously encouraged bison killing, was tasked with protecting the remaining bison in Yellowstone after the 1894 Lacey Act.
this photo represents a historic moment for wildlife protection in the US four us Cavalry soldiers posing with eight
severed bison heads in Yellowstone National Park it was taken in 1894 after the capture of a notorious poacher in
the park Ed Howell soldiers caught him in the act of skinning the animals to sell their hides surrounded by the
carcasses of Bison he'd killed Yellowstone had just been established around 20 years earlier and was a refu
for the American Bison or Buffalo whose population numbering in the hundreds was on the brink of Extinction how's capture
led directly to the first US federal law protecting wildlife and the photo of the confiscated heads was meant to depict
the soldiers as heroic Defenders of an endangered and beloved American Icon but it also shows what drove the Bison to
near Extinction in the first place the US government itself [Music]
this was the bison's approximate range before 1800 covering a significant amount of North America by 1870 the
population had been reduced to these two great herds by 1889 American Bison numbered in the hundreds down from tens
of millions at the beginning of the century and the reason for their destruction becomes clear when you add
this to the map the tribal lands of the Plains Indians you cannot over State the importance of the Buffalo to the people
of the Northern and Southern Plains Dena jilia Whitaker is a lecturer on American Indian studies whose research focuses on
issues of environmental justice throughout US History the Buffalo has been Central to these cultures for
hundreds of years and the Buffalo provides everything it's not just food but it's everything needed for everyday
life PLS tribes constructed dwellings from bison HIDs used bison blankets for warmth and the bones for tools most
important of all was bison meat The crucial food source for the indigenous peoples of the Great Plains there is
absolutely everything about the Buffalo that makes this animal Central to these cultures which is why the US government
wanted them wiped out completely white settlers in North America adhered to a cultural belief
known as Manifest Destiny the idea that white people were destined to EXP expand West on the continent conquer the
landscape and develop it Manifest Destiny is most famously depicted in this 1872 painting called American
progress which shows the expanding railroad following a steady stream of settlers Westward and the land's native
inhabitants including the Bison fleeing Into Darkness imagery like this depicts the transformation of the land as a
natural one rather than the brutal reality of native people's forced removal by the the time it gets a name
to it Manifest Destiny in the 1840s the US is engaging in very violent processes of pushing native people off their lands
to make those lands available for settlers and Native people resisted it which meant
War for the US a key part of that war was eliminating the Bison population the extermination of the Buffalo was Central
to manifest d to me they knew that you go after the Buffalo you can subjugate the people you can see clear evidence of
this plan in statements made by Army officials at the time like General Philip Sheridan who said the best way
for the government is to now make them poor by the destruction of their stock and then settle them on the lands
allotted to them and in a letter to Sheridan fellow us General William to com of Sherman suggested a way to
accomplish that it would be wise to invite all the sportsmen of England and America for a grand buffalo hunt and
make one grand sweep of them all throughout the rest of the 19th century that's exactly what happened the Bison
was hunted excessively for entertainment and competition both by the US Cavalry and amateur Hunters bison hunting
parties would shoot at herds from passing trains in what was called a sport that is peculiarly American Bison
were also killed for commercial profit to satisfy an enormous desire desire for their skins and Bones in eastern cities
these Hunters would kill bison by the dozens for their skins alone leaving the carcasses behind to rot by the end of
the 1800s there were almost no bison left by the time that happens native people are confined to reservations this
forced submission means that they have to rely on the federal government for food as part of a program of forced
assimilation once native people have been confined to reservations the government set aside
some of the cleared land for a national park and Yellowstone was established in 1872 the Yellowstone Park ACT designated
the land as a pleasuring ground for the benefit and enjoyment of the people all of these parks are predicated upon The
Disappearance of native people it's about preserving it and making these destination places for the well-to-do
white settl preserving the so-called natural wonders of the park included protecting the few
remaining bison roaming there the same US government that had driven the animal to near Extinction in the first place
now positioned itself as the guardian of the endangered species and the US Army who occupied Yellowstone in its early
years patrolled the park in search of Bison Hunters which is where this photo comes in it was taken by Frank J Haynes
the official Yellowstone photographer at the time who encountered the soldiers bringing Ed how into custody and
photographed them posing with the Bison heads they found in bags hanging from a tree the story of how's dramatic capture
put the issue of poaching in Yellowstone into the national Spotlight less than 60 days later a federal law made hunting in
the park illegal marking the beginning of wildlife protection legislation in the US American Bison are no longer
endangered and Yellowstone's website upholds House's capture by the US Army as having saved the Bison in
Yellowstone but the staging of this photo also perpetuates the idea of manifest destiny it portrays agents of
the US government as virtuous Guardians of the environment choosing to overwrite their own role in destroying
it there's no better representation for this highly romanticized story about what America is it's not the reality of
the incredible viol of this historic process toward native people and toward other
species one thing that's super interesting about the initial article detailing Ed House's capture which
published in forest and stream magazine in 1894 was the photos they used three photos showing groups of slaughtered
bison each one captioned the butcher's work paired with the story The implication here is that the butcher is
howl and these are the Bison that he killed but there's no photo credit attached probably because these photos
weren't taken in Yellowstone and they were published 7 years earlier in an 1887 Smithsonian survey called the
extermination of the American Bison by William T Hornady Hornady was an early American conservationist and his
research is also where the data for the map at the beginning of this episode showing the destruction of the Bison
population came from there's a link to the full survey in the description of this video and if you want to read about
this story in more detail including how photography and Fine Art played a role in shaping our memory of the origins of
US National Parks and Wildlife protection check out poaching pictures by Alan bradic it's a fascinating read
and interviewing Professor bradock was a big part of the research for this episode so keep an eye out for more dark
room to come and thanks for watching
Ja, het centrale verhaal is feitelijk correct en goed onderzocht. De video legt nauwkeurig uit hoe de moordpartij van Howell leidde tot de eerste wet ter bescherming van wilde dieren in Yellowstone.
Nee, dat is de belangrijkste correctie van de fact-check. De video wijst er terecht op dat de gruwelfoto's in het tijdschrift 'Forest and Stream' uit 1894 niet van de jacht van Howell waren, maar zeven jaar eerder door William T. Hornaday waren genomen. De video gebruikt zelf echter ook diezelfde Hornaday-foto's om Howells verhaal te illustreren, wat een kleine inconsistentie oplevert.
De video schrijft generaals Sheridan en Sherman zeer gedetailleerde citaten toe, maar die zijn vaak niet terug te vinden in perfecte primaire bronnen. Hoewel de sentimenten historisch gestaafd zijn, ontbreekt er soms een exacte bronvermelding, waardoor de citaten minder hard zijn dan ze lijken.
Ja, dit punt wordt in de video correct beschreven en is ruimschoots onderbouwd met militair en historisch bewijs. De video legt uit dat de massale slachting van bizons een bewuste strategie was van het Amerikaanse leger tegen de Plains-indianen.
De fact-check geeft een score van 84, wat nog steeds een hoge betrouwbaarheid aangeeft. De puntenaftrek komt door een kleine inconsistentie (het gebruik van Hornaday-foto's bij Howells verhaal) en het ontbreken van primaire bronnen voor enkele citaten. De video is echter uitzonderlijk goed onderbouwd en verdient een hoge score.
De fact-check is bijzonder omdat hij een cruciale misattributie ontdekt: de beroemde foto's van bizonschedels uit 1894 worden al decennia aan Howells moordpartij gekoppeld, maar blijken in werkelijkheid zeven jaar ouder te zijn. Deze vondst toont aan dat zelfs goed onderzochte verhalen nuances kunnen bevatten en verhoogt de geloofwaardigheid van de video.
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