Introduction to Cinematic Storytelling
Andrew, a filmmaker with over 5 years of experience, explains that stories are the backbone of any cinematic piece. He uses a simple analogy involving a pot, a plant, and soil to describe the three essential components of a good story:
- Structure (Pot): The framework that holds the story together.
- Character/Subject (Plant): The main focus or protagonist.
- Development (Soil): The growth and progression of the story.
He emphasizes the importance of following your intuition and writing stories that personally interest you, even if the process is messy or slow. Authenticity often resonates more with audiences than trying to guess what they want.
Planning Your Shots with a Shot List
Before filming, Andrew stresses the importance of creating a shot list to align visuals with the story. His approach includes:
- Starting with wide establishing shots to set the scene.
- Using close-ups to convey emotion and connect viewers with the subject.
- Introducing action shots that highlight key story moments.
He encourages experimenting with camera angles and movements to enhance storytelling. For more on this, check out Mastering Camera Angles: A Guide to Enhancing Your Storytelling.
Mastering Lighting for Cinematic Quality
Lighting is a critical factor in making shots look cinematic. Andrew shares his lighting setup:
- Use haze to diffuse light and soften the scene.
- Set practical background lights to provide context and depth.
- Employ the "Cinematic Triangle" with a key light (softbox) illuminating half the face, creating contrast and shadows.
This setup separates subject lighting from background lighting, adding depth and realism. For a deeper dive into lighting techniques, refer to Master Cinematic Video Techniques: Storytelling, Lighting & Composition.
Editing: Bringing Your Video to Life
Editing combines music, color, and rhythm to finalize the video:
- Choose music that fits the story’s emotion and pace.
- Edit clips to match the rhythm of the chosen music.
- Record and refine narration or voiceovers, using Andrew’s free audio preset for improved sound quality.
- Apply color grading to enhance footage vibrancy and mood, using presets developed over years for a film-like look. For more on this process, see Mastering Script Writing: A Proven 5-Step Framework for Engaging Content.
Creating Thumbnails and Using Camera Sliders
Andrew creates thumbnails by capturing stills from recorded scenes, focusing on contrasting colors and good lighting. For dynamic shots, he uses a simple camera slider technique, moving the camera smoothly to add cinematic motion.
Organizing Creative Projects with Milanote
Andrew uses Milanote, a digital whiteboard platform, to organize his creative process:
- Curate color palettes and mood boards.
- Use checklists to stay on track.
- Drag and drop visual inspirations and connect them to shot lists.
- Integrate music to align scriptwriting with the video’s tempo.
- Collaborate by inviting others to review and comment on boards.
Milanote helps streamline pre-production and maintain creative focus. For insights on creative organization, check out Expert Filmmakers Share Insights on Directing, Creativity, and Industry Challenges.
Embracing Failure and Continuous Learning
Andrew encourages creators to embrace failure as a vital part of growth. Trying new ideas, learning from mistakes, and iterating leads to better storytelling and filmmaking skills.
Conclusion
This video offers a transparent look into Andrew’s filmmaking workflow, from story conception to final edit. By focusing on authentic storytelling, thoughtful shot planning, effective lighting, and organized creativity, filmmakers can elevate their cinematic videos. Embrace your unique process, experiment boldly, and keep learning through failure.
this is me Andrew and I'm a filmmaker with over 5 years of experience and I always get asked the same question how
do you make your videos well today I'm going to show you everything stories are the backbone to
any cinematic piece when framing a story I like to focus on three main components and to break all this down
I'm going to use a pot and a plant oh and a little bit of soil all right let's do this it's quite
simple a good story must contain structure which is the pot a character or a subject which is the plant and
development which is the soil when all three of these things work together harmoniously you already have the
makings of a cinematic story but Andrew how do you come up with your stories that's a good question let me show you
I'm not going to lie coming up with stories is hard I often overthink stress and worry if any of it will Mak sense
the process can be messy and long over the past year I realized I kept trying to write stories I thought others would
want to hear constantly changing or explaining ideas based on what I assumed the audience would like recently I
decided to change that I wanted to focus on stories that I found interesting things that I was going through that
being said the process can take a bit more time and then out of nowhere it'll all come together and you'll have an
idea for a story that you're proud of I know this isn't isn't a practical way to write but everyone writes differently so
embrace the way you write there's a lot of Truth to that at the end of the day you have to follow your intuition write
what you know and be willing to take risks and if I've learned anything about storytelling it's that the thing you
find uninteresting about your story is often what others find fascinating you got
mail but how do you turn your story into a video that's a good question and the first thing you need is this a camera
but first the shot list everyone does it a little bit differently but I'm going to show you
what works best for me the goal of the shot list is simple match your visuals with your story and the best way to do
that is to mix your camera angles start wide and slowly go tight so let me break down how I would shoot this line of
story I was tired so I listened to some music to unwind first let's get an establishing shot this gives your
audience understanding of where your subject is you can get creative and add some movement or keep it static after
that we'll show a closeup to communicate the emotion that he's feeling inviting your audience to connect with the main
character then we'll introduce the action which is listening to music this can be a closeup show the relation
between the subject and the action this is where your creativity can show you can experiment with different angles
movement or anything that you feel is important to move the story forward but how do you make your shots look so good
believe believe it or not it's actually pretty easy I'll show you and while most people think it takes a long time and a
lot of headaches to achieve it's actually a lot more simple than you think before we ever click record we
need lighting and a lot of ways lighting will be the determining Factor whether a shot
looks cinematic or a shot looks Bland lighting is ultimately one of the most powerful and most underrated Tools in
all of film making so I want to show you guys how I would light a sing the first thing that I do is I use Haze to diffuse
the light and make everything look a little softer next I'm going to set the background lights which are the
practical lights these allow the audience to understand where the light is coming from after that I'm going to
do what we call the Cinematic triangle so there we go pretty much what is happening is I have a key light right in
front of me and it's just a soft box it's the Zion 90d and that is Illuminating half of my face and there's
a soft runoff coming right here which I could make harder by closing my blinds there we go so there's no light coming
so the whole goal here is to create contrast Shadow side first I have my practical lights which aren't adding any
like light to my face so if I turn it off it doesn't add almost anything to the way that I'm illuminated but what
it's doing is it's giving you the logical sense of this part of my face is being lit up by this when in reality
it's my key light so if I turn off my key light you can't really see me there we go so you want to separate the levels
of lighting you want your depth lighting which is your practical lights and then you want your subject lighting which is
your key light and that illuminates the individual what does my editing process look like I'll show you editing is where
you bring your video to Life music color and Rhythm it's all put together in the edit everyone has a different
editing style so you have to find what works best for you the first thing I do is find music music will dictate the
pace the Rhythm and the emotion of the video it's important that you find music that fits your story once I have my song
I'll edit each part to the rhythm of the music once my music is chosen and I have my shots I'll start on the narration
process voiceovers are not easy and for a while my never sounded good to help I put together a free audio preset that's
Linked In My description below totally free and really easy easy to use so check it out if you want it once
everything is put together in the timeline it's time to color grade color grading is the life source of your video
it takes footage that looks lifeless and Well turns it into this color grading is difficult and it takes a lot of time to
practice so I want to show you exactly how I color grade first I'll get my shot it's important to make sure lighting ISO
and picture profile are all working together for me I shoot in a low ISO using picture profile 8 using the
Cinematic triangle for my lighting after that I'll import my footage into Da Vinci this is where it gets fun I
created a preset that mimics the depth of color related to film it's designed to be a oneclick grade to prove it I'll
show you all I do is drag and drop sometimes I do have to change the white balance and exposure but most
times it comes out exactly the way I want this took years to develop and it's something I'm really proud of it's
linked in the description below if you'd like to take good luck okay so we're shooting the thumbnail Big R big soft
box right here all right so the way I do my thumbnails is I record a scene and then I just pull the stills from it and
that's that's that that looks good all right I hope this is the thumbnail here we go you ready to see me like
pose that's it so I just I don't know I just try different a few different things I'm going to put my arm like that
so my big thing with thumbnails is getting contrasting color so green blue red and good
lighting okay so for all those like pan and shots some of you might have been wondering there we go um might have been
wondering like how I did that and that's with this slider so I'll put the camera on and
essentially I'll just slide it like that um this isn't the best slider I don't even know what it is I just found it at
a thrift store so kind I just kind of grabbed it um but if you're wondering how I did it
I literally would like let's see so if it's like this and the camera's on here I would literally
just do this so it would just be off to the side and I would move it with my hand
underneath so you couldn't see it and then just move it a lot of people have been asking me sorry I keep like
changing the light um a lot of people have been asking me how I get that like warm light well I use this Sunset lamp
and it's really it's kind of cool but it's super easy um I just have it like this behind me somewhere kind of go like
that so wonder if I did this how cool that would be uh not that cool okay so that's like
$10 off Amazon you can definitely do that wow it's bright okay I'm wrapping I like
that the lights green I'm wrapping the day Friday and again only got about 40 seconds of footage um filmed for about 4
hours but today was very much like I would come up with an idea I would try a lot of different things and then a few
things would stick a lot of video creating is that it's the same with music it's not that we have this idea
completely fleshed out and it's going to be good but we have an idea we tried out out and it's like trial and error you
try something it doesn't work so then you adapt and you try something else and that's what cinematic footage is that's
what cinematography is that's what storytelling is you try it you try to go down an Avenue it makes sense and so you
build off of that and then it doesn't work so then you have to go back and you build off something else and that's what
these last few days have been it's been um a lot of time a lot of effort things have worked things haven't worked my
battery is at like 1% so I should probably end this video but yeah it's been a fun process making
this video I've kind of held myself to a higher standard cuz I want to do I want to do this video really well and I want
to I want to share really honestly um everything that I'm doing so guys it is pre-production day which is awesome so
I'm pretty much going to plan out my whole video um that you just watched how to make cinematic videos and I want to
show you how I put and organize everything together using a great platform called Milano pretty much
milanote is an amazing tool for organizing creative projects I use milanote because it's essentially a
digital whiteboard that you can kind of just throw everything onto however you feel fits your creative style so I
wanted to show you what my storyboard my script and how I curate everything to allow me to film in the most efficient
way so one of the first things that I do is I'm going to try to find two colors that I like that contrast each other
that I'm going to use throughout my video and milanote has an awesome feature that allows you to kind of pick
and choose colors and it kind of has these little color cards that you can just place in your board I also love
using the checklist feature that milanote has it allows me to stay on track because I often find myself
starting here moving over to something over here I have a very sporadic brain so having this checklist in the middle
of my mood board and script is amazing from there as you can see I like to really rely on visual inspiration I am
such a visual person I get ideas thoughts I I I curate moods all from visual inspiration so Milano has an
amazing feature where you can literally just drag and drop photos you can connect photos to these lines so if you
get like a shot list you can kind of connect your photos to your shots which is something I do and I just throw it
all in one place so that I can get this IDE a and this feel of how this video is going to look and feel now again back to
the color thing what I really like is I'll curate everything on my board and then I'll actually take a step back and
I'll say what colors am I noticing I'm seeing a lot of Blues I'm seeing a lot of magentas I'm seeing a lot of Reds so
then maybe that's where I'm naturally leaning let's start to implement those colors so one thing I have is another
board within this board that gives me color grade ideas so I'll click that and I kind of just curate all of my colors
in one place and the great thing with milanote is you can actually invite other people to the board and they can
give and leave a little note if they like it or not so if you need advice if you think something's if you're unsure
about something you can invite your friend to take a look which is what I do with all of my colors another amazing
feature that I use all the time is the fact that you can add music to your mote board and I really suggest that you guys
do this it is great to play the music that you want in in your video as you're script writing so that's why all of this
is so great because you can have everything together all at once so as you can see I have my script here to the
left I color code it and I will play my song as I'm writing and so I'm able to kind of curate my script in a way that
is on Tempo that's on beat with the song that I'm going to use guys I think milanote is one of the greatest creative
platforms that you can use to implement and bring your ideas to life Millan note is available for free with no time limit
so if you want to sign up just use the link in the description below and guys I highly suggest that you check them out
so guys if you've made it to this part of the video that means you are a part of the 20% of people that have watched
it all the way through statistically only about 20% of people watch YouTube videos all the way through so I always
love if you did make it this far to leave a comment saying you are a part of the 20% so that I can connect with you
if you want to make something creatively if you're writer a musician you make videos whatever it is the greatest thing
that has helped me in my creative journey is to allow myself to fail fail often fail a lot fail big the more you
fail the more you learn what you want to do and how you want to do it but trying to be perfect and trying to create and
curate things that are perfect only allows you to play in the realm of things that you know if you fail it
means you've done something you don't know how and it didn't work out the best but it's in that act of failing that you
start to learn how to do it a little bit better so in this journey of film making I have failed a lot and I've looked back
at my videos and I've asked myself what can I learn how can I get better and how can I fail again and then I embrace that
so guys fail often and fail a lot and let me know what it is that you would like to be doing creatively and how this
video has helped you so I'll see you guys all in the next one peace
Heads up!
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