Overview
Before he was George Orwell, Eric Arthur Blair served as a police officer in Burma from 1922 to 1927. This period profoundly shaped his worldview, leading to his first novel, Burmese Days (1934), and three powerful essays that collectively expose the hypocrisy, violence, and moral decay of British imperialism. For a deeper understanding of the historical context of the British methods in the region, you can explore the analysis of Pamamaraan at Patakarang Kolonyal ng mga British sa Burma: Isang Pagsusuri.
The Three Key Essays
1. "How a Nation is Exploited" (1929)
Published in: The Progress (a progressive journal)
Core Arguments:
- Burma supplied 5% of the world's oil to Britain
- British rule was established between 1820 and 1888
- The colonial maxim: "Never get something done by a European when an oriental can do it"
- Burma's parliament was a "show of democracy" with little real power
- Infrastructure (roads, canals, hospitals, schools) benefited the British, not the Burmese
- The imperial paradox: Education leads to rebellion, so the British kept the population minimally educated
The Economic Trick:
- British machine-made goods were exported to Burma freely
- Customs tariffs on Burmese production were kept prohibitively high
- Colonies were forced to supply only low-cost raw materials (minerals, oil, rice) to Britain
This economic pattern was a hallmark of 19th-century colonialism, similar to the dynamics seen in 19th Century Imperialism: China, Africa, and European Domination.
2. "A Hanging" (1931)
Published in: The Adelphi
Narrative Highlights:
| Element | Details | |---|---| | Setting | A sodden morning during the rains at a prison in Burma | | The Incident | A Hindu man is hanged for an undefined crime | | Key Moment | The prisoner steps aside to avoid a puddle | | Orwell's Revelation | "I saw the mystery, the unspeakable wrongness of cutting a life short when it's in full tide" | | Symbolism | A dog appears, full of life and joy, contrasting with the death to come |
Aftermath:
- The prisoner cried "Ram! Ram!" repeatedly as the noose was fixed
- After the hanging, everyone, European and native, shared a drink and laughed together
- The dead man lay "a hundred yards away"
Thematic Insight: The essay reveals the dehumanizing absurdity of capital punishment and the casual cruelty of imperial justice.
3. "Shooting an Elephant" (1936)
Published in: New Writing
The Situation:
- Orwell is a police officer in Moulmein, Lower Burma
- A tame elephant has gone "must" (crazy) and is ravaging a bazaar
- The elephant has killed a man
- A crowd of thousands gathers, expecting Orwell to shoot it
The Central Dilemma:
"I had got to shoot the elephant. I had no intention of shooting the elephant... But I looked at the crowd... and I first grasped the hollowness, the futility of the white man's dominion in the East."
The Metaphor of Empire:
Orwell realizes he is not a powerful ruler but an "absurd puppet" pushed by the expectations of the colonized people:
- As a tyrant, the European destroys his own freedom
- He becomes a "hollow, posing dummy", the conventionalized figure of a Sahib
- In every crisis, he must do what the natives expect of him
- "He wears a mask, and his face grows to fit it"
This psychological trap is a recurring theme in Orwell's critique of power, which he later expanded upon in his broader analysis of totalitarianism, as seen in George Orwell's Legacy: Insights on Totalitarianism and Truth.
The Shooting:
- Orwell fires multiple shots; the elephant does not die quickly
- The elephant suffers for a full hour and a half
- The crowd cheers; Orwell feels only shame
The Blunt Conclusion:
"I often wondered whether any of the others had grasped that I had done it solely to avoid looking a fool."
Thematic Connections
| Essay | Core Theme | Imperial Symbol | |---|---|---| | How a Nation is Exploited | Economic exploitation | Oil wells, rice paddies | | A Hanging | Dehumanization | The condemned prisoner | | Shooting an Elephant | The puppet-master paradox | The dying elephant |
The broader process of dismantling such empires began in earnest after World War II, a movement detailed in Decolonization & the Fall of Empires After World War II | Crash Course.
Why These Essays Matter
- They show Orwell's evolution from colonial officer to anti-imperialist writer
- They provide a first-hand, unflinching look at the "real nature of imperialism"
- The essays are masterclasses in concise, vivid narrative journalism
- They remain essential reading for understanding the psychology of empire
Recommended Reading: All three essays are collected in The Penguin Book of Politics or in Orwell's Essays collections.
Support the Channel: Purchase through the link in the description to earn a small commission, or pledge on Patreon to support content creation.
before George Orwell was George Orwell he was Eric Arthur Blair a nineteen year old man sailing to Burma on the SS he
referred to join the Indian Imperial police he stayed there until he was 24 in 1927 when he contracted dengue fever
and returned to England Burmese days for world's first novel after down and out in Paris and London
was published in 1934 but at around the same time he wrote three essays that together given invaluable impression of
an empire in demise and a clear and personal author in a sent in 1928 Orwell travelled to Paris and set out to become
a writer he wrote how a nation is exploited the British Empire in Burma in 1929 for the progressive journal the
progress a week in it he described Burma how it's the source of five percent of the world's oil how Britain took over
the country between 1820 and 1888 and he described the despotic techniques of British rule the great maxim being never
get something done by a European when an oriental can do it he describes hi Burma's Parliament like each Parliament
of the Indian provinces is merely a show of democracy with very little power he concedes that the building of roads
canals hospitals and schools benefit the Burmese but are still built in the interest of Britain what enables 12,000
men to subdue a population of 40 million years leaving them in peace to cultivate their
fields and educating them only enough as for the needs of the Empire as education equals rebellion and while the Burmese
do not notice the British extract from the mines and the oil worlds and the paddy fields while the resources are
plentiful and and here was the trick to Empire the British allows specialized British machine made products to be
exported from Britain freely while discouraging specialization of production in the colonies by keeping
customs tariffs prohibitively high so that the colonies supply low-cost simple products and foods to the homeland this
short essay gives an incredibly striking impression of Empire in such fewer words and two years later in 1931 all world
roads are hanging for the London Journal via Delfy an essay that adds another more personalised angle to his Imperial
attitude in it he recounts in meticulous detail the hanging of a Hindu man condemned for a crime not defined
it's a sodden morning of the rains as they're walking towards the gallows a dreadful thing had happened a dog come
goodness knows whence had appeared in the yard it came bounding among us with a loud volley of barks and lept around
us wagging its whole body wild with glee at finding so many human beings together as they continue or
the prisoner stats lightly a site to avoid a puddle on the path it is curious he says but till that moment I had never
realized what it means to destroy a healthy conscious man when I saw the prisoner step aside to avoid the puddle
I saw the mystery the unspeakable wrongness of cutting a life short when it's in full tide this man was not dying
he was alive just as we were alive all the organs of his body were working bowels digesting food skin renewing
itself nails growing tissues forming all toiling away in solemn of foolery but in two minutes with a sudden snap one of us
would be gone one mind less one world less once the noose was fixed the prisoner began crying out on his god it
was a high reiterated cry of RAAM RAAM RAAM RAAM not urgent and fearful like a prayer or a cry for help and steady
rhythm a cool almost like the tolling of a bow suddenly the superintendent made up his mind throwing his head he made a
swift motion with his stick Charlo he shouted almost fiercely there was a clanking noise and then dead silence
the prisoner had vanished and the rope was twisting on itself I let go of the dog can it galloped immediately to the
back of the gallows but when it got there it stopped short barked and then retreated into a corner of the yard
where it stood among the weeds looking timorously out at us the Eurasian boy walking beside me
nodded towards the way we had come with a knowing smile do you know sir our friend he meant the dead man when he
heard his appeal have been dismissed he pissed on the floor of his cell from freights
kindly take one of my cigarettes do you not admire my new silver case sir from the box wallah 2 rupees 8 Anna's classy
European style I found that I was laughing quite loudly everyone was laughing even the superintendent grinned
in a tolerant way you better all come out and have a drink he said quite genial 'hey i've got a bottle of whisky
in the car we could do with it we all had a drink together native and European alike quite amicably the dead man was a
hundred yards away [Music] three years later all well-published
burmese days a tale of the decline of empire and the hopeless endeavors of a European in Burma John Flory the
despondent tone of Burmese days was condensed by Orwell in the 1936 essay shooting an elephant an indispensable
metaphor for the slow laboured death of the British Empire the essay opens aphoristic Lee in more Maine in lower
Burma all world rights I was hated by large numbers of people the only time in my life that I have
been important enough for this to happen to me all well was a police officer in the time but had already decided that
imperialism was an evil thing and was looking to leave Burma one day he writes something happened which in a roundabout
way was enlightening it was a tiny incident in itself but it gave me a better glimpse than I had had before of
the real nature of imperialism Orwell had received a phone call to tell him that a tamed elephant had gone crazy and
was ravaging a bazaar the Burmese had no weapons and Orwell grabbed a rifle not large nut to kill it but loud enough to
scare it and made off once there he found that the elephant had already killed a man never tell me Orwell
interjects that the dead look peaceful most of the corpses I have seen looked devilish as an excited crowd gathered
around the European with the gun Orwell was told that the elephant was just a few hundred yards away in a paddy
field the crowd started shouting excitedly that all well was going to shoot the
elephant it was a bit of fun to them he writes as it would be to an English crowd besides they wanted the meat
it made me vaguely uneasy I had no intention of shooting the elephant I have merely sent for the rifle to defend
myself if necessary and it is always unnerving to have a crowd following you when the crowd found the elephants he
took not the slightest notice of the crowds approach he was tearing up bunches of grass beating them against
his knees to clean them and stuffing them into his mouth as soon as I saw the elephant's he says I knew with perfect
certainty that I ought not to shoot him it is a serious matter to shoot a working elephant it is comparable to
destroying a huge and costly piece of machinery and obviously one ought not to do it if it can be possibly avoided but
Orwell looked at the crowd which have grown to the thousands looking on the magic rifle like a conjurer about to
perform a trick they expected it of him it was at this moment he writes as I stood there with the rifle in my hands
that I first grasped the hollowness the futility of the white man's Dominion in the east here was I the white man with
his gun standing in front of the unarmed native crowd seemingly the leading actor but in reality I was only an absurd
puppet pushed to and fro by the will of these yellow faces behind I perceived in this moment that when the white man
turns tyrant it is his own freedom that he destroys he becomes a sort of hollow posing dummy the conventionalized figure
of a Sahib for it is the condition of his rule that he shall spend his life in trying to impress the natives and so in
every crisis he has got to do what the natives expect of him he wears a mask and his face grows to fit it I had got
to shoot the elephant but he continues he didn't want to shoot the elephants at all and a compromise came to him he
would walk close to the elephant to test his mood then if threatened he could shoot and if not he'd have an excuse to
leave him but he says the sole thought in my mind was that if anything went wrong those 2,000 Berman's would see me
pursued calls trampled on and reduced with grinning corpse and if that happened it was quite probable that some
of them would laugh that would never do and so all well decides he must shoot the elephant he lies on the road to get
a better rein the crowd grew very still and a deep low happy sigh as a people who see the theatre curtain go on the
last breathe from innumerable throats when I pulled the trigger I did not hear the bang or feel the kick one never does
when a shot goes home but I heard the devilish roar of Glee that went up from the crowd the elephant liked better
Cline of the British Empire neither stirred nor fan but every line of his body had altered
he looked suddenly stricken shrunken immensely old as though the frightful impact of the bullet had paralyzed him
without knocking him bang Orwell fires again he trumpeted for the first and only time and then dying he
came his belly towards me when the crash that seemed to shake the ground even where I lay I waited a long time for him
to die but his breathing did not weaken finally I fired my two remaining shots into the spots where I thought his heart
must be the thick blood world out of him like red velvet but still he did not die his body did an even jerk when the shots
hit him the tortured breathing continued without a pause he was dying very slowly and in great agony but in some world
remote through me where not even a bullet could damage him further it felt that I had got to put an end to that
dreadful noise it seemed dreadful to see the great beast lying there powerless to move yet powerless to dive and not even
able to finish him I sent back for my small rifle and poured shot after shot into his heart and down his throat
they seemed to make no impression the tortured gasps continued as steadily as the ticking of a clock all well retains
that he couldn't stand the elephant's agony so he laughed later he discovered it had
taken the elephants an hour and a half to die and the essay ends with a blunt human
truth I often wondered he writes whether any of the others had grasped that I had done it solely to avoid looking like a
fool if you liked this video then the three essays mentioned are in the penguin collection or one of politics
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The three key essays are "How a Nation is Exploited" (1929), which focuses on the economic exploitation and controlled education of Burma under British rule; "A Hanging" (1931), which exposes the dehumanizing absurdity of capital punishment and imperial justice; and "Shooting an Elephant" (1936), which explores the psychological trap of empire, where the colonizer becomes a puppet forced to act against his own will to meet native expectations.
Orwell realized that as a European police officer, he was not a powerful ruler but an "absurd puppet" pushed by the expectations of the colonized crowd. He was forced to shoot the elephant not because it was necessary, but to avoid looking foolish, revealing that the tyrant is also a prisoner of the imperial system—"He wears a mask, and his face grows to fit it."
The British exported their machine-made goods to Burma free of tariffs while imposing prohibitively high customs on Burmese products. They forced Burma to supply only low-cost raw materials like oil and rice, and deliberately kept the population minimally educated—because education leads to rebellion. Infrastructure like roads and hospitals primarily benefited British interests, not the Burmese.
This small, unconscious act of avoiding a puddle reveals the "mystery, the unspeakable wrongness of cutting a life short when it's in full tide." It humanizes the condemned man and underscores the absurdity and cruelty of taking a life, as even a condemned prisoner instinctively moves to preserve his existence.
His firsthand observation of colonial hypocrisy and the psychological trap of being a "hollow, posing dummy" in Burma laid the foundation for his broader critique of totalitarianism. The essays show his evolution from a colonial officer to an anti-imperialist writer, themes he later expanded in works analyzing power, control, and the destruction of individual freedom.
The crowd of thousands represents the expectations of the colonized people that compel Orwell to act against his better judgment. Their presence transforms him into a puppet, demonstrating that imperial power is a performance where the colonizer must repeatedly prove dominance, eroding his own freedom and morality in the process.
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