Introduction
- Mike Monteiro opens with a humorous take on the struggles of getting paid in creative services.
- He introduces the theme of the talk: the importance of contracts in client relationships.
The Reality of Creative Services
- Many creative professionals face challenges in getting paid for their work.
- Common excuses from clients for non-payment include: "We ended up not using the work," or "We think we’ve already paid you enough."
- Monteiro emphasizes the need for a strong contract to protect against these situations.
Starting a Design Business
- Monteiro shares his journey of starting Mule Design with Erika Hall, highlighting their initial naivety about business operations.
- They learned the hard way about the importance of negotiating contracts and protecting their interests. For more insights on building a successful design business, check out How to Build a Million-Dollar Ghostwriting Business: Marcos' Blueprint for Success.
The Role of Contracts
- Contracts are essential for defining clear expectations and protecting both parties.
- Monteiro discusses a Quora question about dealing with non-paying clients and criticizes the idea of writing emotional letters as a solution.
- He stresses that having a contract in place is crucial for maintaining leverage in client relationships. For a deeper understanding of contracts, see Understanding Contracts: Definitions, Types, and Essential Elements in Indian Law.
Key Contract Elements
- Clear definitions and expectations are vital in contracts.
- Monteiro and his lawyer, Gabe Levine, outline the importance of having a well-structured contract to avoid misunderstandings.
- They share anecdotes about projects that went awry due to lack of proper contracts.
Handling Changes in Projects
- If project requirements change significantly, it’s essential to close the current contract and negotiate a new one.
- Monteiro warns against continuing work without a new agreement, as it can lead to complications.
The Importance of Trust and Negotiation
- Monteiro advises against starting a project without a contract, emphasizing that trust should not replace legal agreements.
- He shares experiences of walking away from projects when clients refuse to include payment terms in contracts.
Firing Clients
- It’s possible to fire clients if the relationship deteriorates, and this should be outlined in the contract.
- Monteiro discusses the importance of having a solid reason for terminating a client relationship.
Legal Advice and Professionalism
- Monteiro encourages designers to seek legal advice when drafting contracts, emphasizing that it’s a sign of professionalism.
- He shares tips on how to approach lawyers and the value of investing in legal services.
Conclusion
- The talk concludes with a call to action for designers to take control of their business relationships through effective contracts.
- Monteiro expresses his passion for design and the importance of empowering designers to recognize their value. For more strategies on client interactions, refer to Mastering Intro Calls: Preparation Strategies for Success.
[Music] you guys hear me okay all
right who who thanks for coming who in this room is now or has at some time been in Creative Services raise your
hand H I'm old I can't see great who here has at some time had trouble getting paid by a client for work they
were doing all right raise your hand if any of these
are familiar to you we ended up not using the work all right it's really not what we
wanted after all all right who's familiar with Good Fellas all right we got got somebody
internal to do it instead [ __ ] you pay [Music]
me we cancelled the project [ __ ] you pay me we actually didn't get the money that
we the funding that we thought we were going to get Fu you there we go we think we've already paid you
enough you me it's really not what we were hoping for [ __ ] you thank you that's the title of our talk today [ __ ]
you [Applause] P so my name is Mike Montero um some of
you may know me from Twitter as Mike for the win uh so the profanity shouldn't be a
surprise U when I when Erica Hall who's sitting supportively over there and I started mule 10 10 years ago
now we uh wanted to run our own Design shop because we wanted to pick and choose the clients
that we were going to work with and we wanted to be responsible ultimately for what we were putting out in the
world and um we had worked together at a couple places and we were um naive enough to think that we could run a
business better than the people who we were working for
uh we didn't we were so excited about working together that it didn't occur to either of us or maybe we each thought
that the other one had it but neither of us really had enough business experience to be running a
company because of that we ended up leaving a lot of money on the table we ended up
not negotiating contracts properly we ended up not renegotiating contracts when we should have renegotiated
them but since we're still here and we're doing pretty well I think we've learned we've actually learned a little
bit about how to run a design business and if you're running a design business this stuff is part of the job as well as
the creative work because this is a business and you got to keep the lights on you got to pay
people you got to meet payroll and most importantly you got to get clients we love our clients at
mule they are people who have for the most part worked their butts off to get a budget
enough to hire a design team to do the work and of all the choices they could have gone with they went with us
so we want to do really great work for them and most well I all clients I think start the business relationship with the
best of intentions and things go wrong things that you weren't expecting uh you know
the market changes or you know the person who hired you leaves or you know somebody has a bad mood day but things
change and when those things change you need to make sure that the relationship between you and the client client it's
set in place in something like a contract we recently came across this on quora which is apparently a site for
posting questions to show how smart you are so what is good advice for how to deal with a client who refuses to pay
for design work because of obviously false irrational reasons let's leave off the obviously false irrational reasons
because we're not doing therapy today um but the the answer that we found
under this question was you could try a heart-wrenching
letter I'm going to go get some water thank you you could try a heart-wrenching
letter and you could lose all credibility that you have with that client because the minute that you write
a heart-wrenching letter the minute you appeal to their emotions you have given up any bit of Leverage that you had in
that relationship you have shown them your belly you have shown them that you don't think you have a leg to stand on
other than playing upon guilt you have become a bottom in that relationship it's good right
and more than anything I would like designers to stop being bottoms and realize the amount of power
that they actually have in a relationship I guarantee that this person did not have a contract in place
because this is a sort of thing that a contract irons out immediately what happens in a situation like
this and if this person had a lawyer well actually if my lawyer were here actually my lawyer is
here hi everyone I'm going to sit on what's been called the lawyer perch so um Gabe
LaVine everybody this guy's been keeping me out of jail for about six years I I don't know why I deserve
Applause but when Mike asked me to um to to come participate in this I said yes right away um my relationship with him
has been great he's he's a fabulous client um a little bit about me real quick um I started my law practice at a
big firm as so many young lawyers do um after two years I realized it sucked um I went and joined a small firm where I
get to serve small companies like mule design um and I enjoy working with them and um what I what I enjoy most is
preventing problems because when you have small companies as clients um you need to make sure that you at the outset
take care of issues that are going to arise and in the context of your jobs as web designers you do that in your client
services contracts you make sure that if something goes wrong and you're not going to get paid that there's a
mechanism in there for dealing with that um and to be blunt um with both mule and um other companies that have come to me
in the early stages their contracts can be if they have them a mess um so today we're going to talk a little bit about
how you want to um deal with that have confidence in your business have confidence in yourself structure your
contracts to make sure that uh you're protected we're your favorite client right absolutely my favorite client
hands down if there are other clients in here sorry so the the the basic gist of a
contract is clear definitions clear expectations yeah you want to make sure that you know everybody understands what
what they've agreed to um all too often when you're when you're negotiating people don't understand what they've
agreed to and that's something that um I enjoy about working with Mike and Erica and all of their employees um because I
can explain something they listen they don't beat about the bush um and and the other side and mule understand what
they're agreeing to when they go into a contract you don't want to just ignore something and make make it muddled not
clear clear expectations clear definitions so we've put together our greatest hits of bad predicaments that
Gabe and I have um Gabe has helped us with we were working for a large organization that um the whole the we
were working with a new a new division for a new thing they were doing and the project was going really great they were
all super smart everything was going going fantastic there was absolutely no sign that anything was going to go badly
one day we walked in for a presentation we waited in the lobby for 30 minutes and then finally they walked us up to an
MTV vp's office who um came back in and said I've had the worst day I just had to lay off
so many people prick uh that entire division that we
were working with was laid off that day um at this so and and we were told the project was over at this point
there's nothing left in the room they're gone we're gone there was a contract that stipulated they had to pay us had a
contract not been in place we would have spent a ton of time and energy and money trying to get paid for that job
and probably ended up getting and we' probably end up getting paid a significant portion less
yeah it's it's a difficult conversation to have when somebody comes to me and says um you know I've got a job that I'm
working on I've done X hours and they refuse to pay me and I my first question is do you have a contract um no is
really bad answer um the the situation you find yourself in there is that the truth of the matter is I can write a
mean letter um or I can you know try the you know persuasive phone call but if if you have to file a lawsuit um you're
going to want a written contract um if you want to avoid a lawsuit and have persuasion early in in your talks you're
going to want a written contract you're going to want a written contract that has attorney's fees so you don't have to
worry about paying me $20,000 if it's going to cost that much to collect 50 um they know that they have to pay that if
they lose so yeah you would have collected significantly less without a contract and the other thing to note in
this particular project was one of the people who was actually laid off that day ended up sticking around for a
couple weeks and ended up being an incredibly good Ally for us um and when they were trying to get out of paying us
she basically told them [ __ ] you pay them as happens often with their clients how many people here have have
um been hired to do a project and halfway through the project project requirements change project goals change
it becomes a totally different project than the one you initially agreed to I see a lot of nodding heads thank
you um at that point the way our contract works at that point if you've changed goals in a project that much
that project is done the contract closes you settle up and you open up a new contract I've heard from way too many
people who have who have kept on working for the initial job even though it turned out to be something totally
different than what was originally agreed to yeah and this this can be a sticky point but um again one of the
things about working with mule and and you know clients that I generally enjoy is they have confidence in their work so
when you're negotiating a sticky Point like this um you know I'm able to say that you hired them for for their their
presentation and uh the scope of work that they they outline for you so if you want to change it um you need to uh you
need to negotiate a new contract or at least amend the scope of work which can act as a new
contract this is the biggest red flag in client services if you ever hear this phrase just walk
away yeah um it's it's not a matter of trust um lawyers frequently have conversations with each other where one
says to the other what you don't trust my client no that's not the case um I don't know your client um I don't know
him from Adam if I don't as an attorney do my job to make sure that my client's protected which is assuming bad faith by
the other side I have to I have to not trust them and um the fact of the matter is when you're you're doing business
deals and that's what you guys are doing when you're agreeing to provide services for money that you use to live um you
don't want to trust the person that to pay you um necessarily you want to make sure that you get paid we were actually
negotiating a u pretty large project with a client that we were very excited to be working with we had agreed on
everything we were down to payment terms and they didn't want payment terms in the contract and they said said you
can trust us on that um the project was scheduled to kick off like 2 days later and we ended up walking away from it
because you cannot start a relationship like this if you agree to something like this at the very beginning you are going
to have to agree to things during the project that are as onerous as this so let this be a sign of what's to come and
walk away from it I am sure nobody has had this happen client brings in another designer to
work on the project that's a firable offense we have been hired to solve a problem it's our job to solve that to
work with the client to solve that problem if the client decides to bring in somebody else we're now in
competition for that person for the client's time and we now have to compete with that person that is not what we
signed up to do we've been in situations like this where we have had to fire clients and
yes you can fire a client was as much as they can fire you it should be in the contract um we one in particular the
situation had deteriorated to such a point that we knew that there was no there was no way out of it other than to
walk away and um it led to a very uncomfortable phone call with the client and uh they threatened legal action and
that's actually how we found on Gabe almost six years ago yeah Mike mikee so the two things that I hear Mo
like I get people who who contact me they telling me like hey something just happened with this project I'm having
trouble getting paid that I submitted my invoice weeks ago I haven't heard anything and my first ADV my my advice
to them is is usually you need to talk to a lawyer about this stuff and there's two things that I hear most
often lawyers are so lawyers too expensive I can't afford to talk to a lawyer and the second is are we at that
point already do you think to answer the first this guy makes me money this guy has has gotten our
contracts to such a point where um we're we're no longer leaving that money on the table we're protecting
ourselves really well what I pay him is a pittance of the money that I would have lost had had I not had him taken
care of this stuff and secondly um you're at the point where you need a lawyer when you've decided to stop being
a design amateur and become a design professional it's time to bring in a legal professional to at least look at
those contracts that you're signing with clients there are two checks I write every month that I'm very happy to write
the first one is to him the second one is to my th best and um on on the money front that's
uncomfortable both in your situation with your clients and in my situation with my clients um and um it's
uncomfortable at least for the clients that are coming in so I try to make them comfortable and I think any good lawyer
would um ask questions if you're worried about how much you're going to pay I'm happy and I'm sure most lawyers are
happy to tell you at least decent ones if that term isn't an oxum [ __ ] for you um what you're going to expect to uh
have to pay with regard to a particular project and most attorneys um will give you 30 minutes maybe even an hour of
free time so um that's not to say you should go around trying to get a bunch of free advice from lots of different
attorneys but you know if interview a couple attorneys um just like you would any you know anybody else do your due
diligence on you know there's there's websites out there I I don't know how much Yelp but other websites that talk
about attorneys um and ask questions and and if they don't answer your questions about how much something might cost in a
way that satisfies you go find another attorney so we got a quick list of the top six things you need to know about
contracts that uh we whip together we we'll go through them real quick um number one most important thing
contracts protect both parties a contract is in place to protect you and a contract is in place to protect the
client should anything weird happen on either end what to do is stipulated in that
contract yeah and we'll we'll actually hit this in a slide or two but um the process of negotiation makes makes the
thing Fair um and uh if you you know if you roll over um or you just sign blindly whichever side does that it's
not going to be fair don't start work without a contract starting work without a
contract is like putting a condom on after you've taken a home pregnancy test it is just not going to help you at that
point you have lost any leverage that you had yeah I
mean there's there's not a lot more to say you know how you follow that don't blindly accept their
terms um we we have had contracts handed To Us by clients that were written
Years Ago by people who are no longer working there they have no idea what's in the contracts we've seen contracts
that stipulated that work needed to be delivered on 5 and a qu inch discs when we were done they don't know what's in
them you need to have a a your your lawyer review them and make sure that they're okay and if something's not
working for you strike it yeah again the process of negotiation is what makes the contract Fair um if you're finally
accepting terms from uh your client and particularly if your client is an established business chances are you
know they've had a lawyer uh draft a contract for them and when I'm doing that I usually start with my wish list
you know and I and I tell the client that you know these are these are items where your your your clients are going
to push back and and frequently they do so if you just sign on the dotted line you're going to be agreeing to a lot of
things that you probably can't deliver and you don't want to agree to and we'll hit that those points a little bit later
there's always going to be some amount of negotiation but there are things that you shouldn't back down
on this is the stuff that we don't back down on um IP transfers on full payment this is the most leverage that you have
on a project is that the work that you've done is yours until the client pays you for it if they use that work
before they've submitted a final payment you can sue the hell out of them uh termination Kil Fey yeah real quickly
on the first point um I mean again if you're getting a contract from a from an established business what you're going
to get is two two pages of intellectual property assignment where you give them everything and you keep nothing um and
the way it's going to be written is it happens instantly when you sign the contract um you know I had some
difficulty when I started dealing with this at first in in trying to parse out you know what transferred when and blah
blah blah and and I found that the easiest way to deal with this is just say at the beginning of this very long
two-page assignment provision upon full payment for the services everything happens so in
conjunction with that that's something that really does help guarantee payment um in conjunction with that you you have
a termination or a kill fee in your contract and this is something that I've seen in a lot of um the web services
contracts that I've looked at um so it seems to be something of an industry standard
um and uh you know you get your payment your deposit and then maybe you have a second payment or you break it out into
three payments and what the kill Fe is is it's it's an amount that the client is going to have to pay um if the client
terminates without some very good reason um that is over and above you know what they've already given you in the deposit
to ensure that you haven't done a bunch of work and invested a bunch of time and turned away other projects that you
could have been working on um For No Good Reason liability
liability which you told me is legal for what oh gosh what did I say um you're in trouble um yeah um so liability is just
a broad term one of those legali that means you know something's gone wrong and and now you you bear that
responsibility for dealing with that problem um and in these contracts that you get from established businesses and
sometimes not even established businesses you can pick them off the internet now um so somebody could be
handing you a contract that you know uh somebody from some giant Law Firm drafted to protect their client even
though that wasn't their lawyer and what these contracts say is you know you will have a couple pages of representations
and warranties that you make about the work that you're delivering um and it and it represents you know I'm not just
talking about good work it's you know you're not infringing on anybody else's rights maybe it says there's no open
source code in there maybe it says you know there's nothing that you've purchased such as stock pictures um and
if you ignore that and just sign it um and you get in trouble later some of them say there's not going to be any
bugs nothing's going to go wrong if something goes wrong with the website and it costs the company money you sign
those contracts without looking at them you might have to pay that company money that's
liability lawyers talk to lawyers uh if I'm talking to a client and they tell me that they have legal on the phone we
finish we wrap up the call and we wait till we have legal on the phone with us um lawyer people hire lawyers to protect
them and they're very good at it he's very good at protecting me and if he's not on the phone with their lawyer then
they're going to be telling me things and I'm going to be agreeing to things because I'm nervous because there's a
lawyer on the phone so the minute they show theirs I have to show mine I didn't me it that
one I'm used to it be specific and confident about money money is an incredibly
nerve-wracking thing to talk about [Music] um but if you are trying to convince
somebody to give you their money and that you're the right person to give it to and they're asking you how much
something costs and the first thing out of your mouth is um you just lost 10 grand if you know how much something
costs stand up confidently and tell them if you don't know how much something costs then say I don't know but I'm
going to find out and I'm going to get back to you as soon as possible but just sound like you know
what you're talking about even when you don't because you can always find out later couple of uh about a month ago I
did a podcast with Dan Benjamin where I talked about um being confident about you know asking being confident about
asking for your rates and a couple days later this came up this guy who I I don't know uh it says I quoted a company
and absurdly higher rate than I ever have after listening to you and I got the gig uh one I I bet that wasn't an
absurdly high rate I bet this guy had been undercharging for years but he had the confidence to go in and ask for the
rate that he actually could have been getting all that time and he got it does that made me feel good
just hope his client isn't following him on Twitter that was good you got one
off so to sum up our three-point winning strategy contracts up front make sure you've got a contract in place before
you start working make internal allies when you can you need to you need to have somebody working with the client
who knows the ins and outs of how the the client runs their business and who to talk to should something weird happen
and then work with advisers like this guy on your side who were helping you and giving you good
advice yeah I hope so yeah and I know this wasn't as much fun as coming in here and talking about like typography
and color and design and layout and grids but if you learn a little bit about this stuff and just feel a little
confident about this stuff you can do that stuff the stuff that you really love doing that much longer and that
much better if you just get this stuff locked out then you can enjoy what you really
love doing because I love design and I love designers and I want designers to know that they actually have a lot more
power than they think they have it's Friday you've got one more day in the work week go out there and do
something really awesome thank you all right so I'm gonna let Gabe use Mic here we' got about 10 minutes for
questions um if you want to speak a question please stand up and speak very loud are you still on hello yes yes you
any questions the client goes Rogue and they decide to change the project is that you
have to you're in that moment they like halfway through and at this point you can either you could do the kill and
charge them by deliverable you know like i' I've done this kind of work for you now so I'm going to charge you this or
do you just char whole project and like I this is what we agreed on and even though you're making a change in the
middle of it the whole thing because the reason I asked is because I had had that
experience where I was like well I do the Kil thing try what we've done there's all this
opportunity like what I could be let me address one thing you said before I turn it over to Gabe for the legal answer um
you said not legal advice disclaimer provided go you said the client was making you
change something a client cannot make you do anything if you are not comfortable with what a client is asking
you to do walk away you aren't you nobody here has held hostage to a client's
whims so are you asking how how they have it how we have it structured in their in their contract or yeah
yeah so there there's various ways to deal with it but um would I maybe misspoke but it goes when I talked about
it it goes over and above sort of you know what the hourly work that you've done um so there is you know say you're
in phase two of of three phases in the project and each phase is is $10,000 um you know the kill fee might
just be you've got your $10,000 deposit um and then phase two is going to be$ 10,000 and they pay it upon you know
some some receivables deadline um if they if they kill it without a good reason in the middle of phase 2 you get
the whole 10 for the second phase that's a somewhat common example of a kill fee does that answer the question okay
anybody else um when you're drawing up the contract um how do you approach L
pay do Tre [Music] um you might have a um you know a small
we don't like to call it a penalty in the legal World cuz penalties aren't enforceable but it is a penalty it's
it's a you know call it interest or whatever you want but it's a small percentage for um you know something if
you're working net 30 that's not paid 30 days um after you send the invoice and then if it's out you know 60 days or 90
days or 120 days boom you kill the contract you get the kill fee um and if you have to assume your your attorney's
fees do you have any tips on firing your clients that's such a softball for
him you need well the reason that you're firing the client needs to be solid and it needs to be in writing and the client
needs to be very aware that they've um they've transgressed against X thing in the contract and this is why they're
being fired and um do it quickly and do it clearly they they should know they're
getting fired um and you know do it as kindly as possible because again this isn't somebody who walked into a
relationship with you to be a dick this is just a relationship that went sour so do it with as much respect as
possible yeah perfect answer but you weren't expecting that he's
learned horse head in bed and that's what he did when I met him anyone
else in the back Miss hamwood um relationships you're talking then about relationships well often you
really like the people even know cuz you know like we're we do design work and we're um you know trying to tie up these
points well they're doing work and maybe their ability to tie contracts isn't so great so maybe they're really messing us
around but it's partly because they're just have all their [ __ ] together so we want to keep the relationship but we
want to protect ourselves at the same time so what about advice for handling those situations where you know they are
really messing you around but you want the relationship I'm I'm sorry I didn't really okay
they're messing you around all right right clients messing you around but in the same way that sometimes we
don't have our contract [ __ ] together they don't have their contract [ __ ] together and they're good people but
they genuinely are messing you around so it is lawyer time but lawyer time but you yeah and I seriously I've had to do
that I've had to lawyer up and it was the right thing to do um but how do you what what's advice around
preserving the relationship or you know like not just you know that that aspect of it
first of all I can be really nice on the phone with and and lawyers and one of the things that you
know I think um you know Mike would acknowledge is this sort of stuff makes him uncomfortable still yeah um it
doesn't make me uncomfortable and it's probably not going to make the lawyer on the other side uncomfortable so we can
have a perfectly civil conversation about it um it's not like pressing the uh atom bomb um so if things things are
being held up I think you're asking how do you preserve the relationship and deal with the the delay and the
difficult issues let the lawyers deal with the delay and the difficult issues and and everybody's always telling me
including these guys we need it done so the lawyers are getting that pressure and we know how to deal with it I mean
the other side has got to turn it around quickly and then I've got to turn it around quickly back to him yeah and even
when things go wrong are the the first thing we try to do is to preserve the relationship in 10 years in business I
think we've only had we've only ever fired two clients and we've certainly had projects get weird
um but most of the time you can resolve that stuff by just talking talking it out with the other person don't do it
over email on on the phone if nothing else in person if at all possible there are
plenty of client relationships that I've that that we've been able to fix just going out and having a cup of coffee
with somebody and realizing that we both wanted the same thing we just had a different way of getting
there that's good advice anybody else how do you deal with the acceptance criteria both for clients and
contractors that's that's really tricky um and um I'm still learning to be honest on it um but uh ideally they have
you know a certain amount of time to reject a deliverable and they have to do it in writing and if they don't it's
deemed accepted and of course you want that that time frame to be as short as possible but you know I've seen 5 to 10
days or maybe 5 to 10 business days um I assume you're that's what you're talking about the deliverable acceptance yeah
it's also on the flip side you're working with a contractor that does that where you don't want to pay them oh you
don't want to accept something from somebody yeah um I mean I would same advice as Mike gave in firing a client
make make the problems clear um put it in writing um if you're done with them and you know if the relationship can be
Salvage then Mike said try and Salvage it but if not um yeah make the reason for the rejection very clear hopefully
there's something in writing to rely on you know a contract or maybe emails that describe what was supposed to be done
um yeah we have time for one more Mr sippy in the front for Gabe are you worried about what he does on
Twitter honestly no um you know there's there's been there's been some
Ventures from from my standpoint I I don't want him to disclose anything that we discuss that's that's that's
privileged um so he knows that and we talked about it um because some of the stuff we discuss is funny and we'd like
to disclose it um just for pure entertainment value but um also in in full disclosure I don't
follow Twitter that much I'm trying to get better um but you know my stream is full of San Francisco Giant stuff and
Mike and so for me it's just it's entertainment I don't I don't actually worry that much about it just um as as a
rule I never ever talk about clients on Twitter um that relationship is sacred and Twitter's U you know Twitter's for
dick jokes so for client you know even if a client does something
in my office that's really funny it's it's part of our relationship and it doesn't go on
there that's you and me babe all right thanks
Contracts are crucial in creative services as they define clear expectations and protect both parties involved. They help prevent misunderstandings and provide legal leverage in case of disputes, ensuring that creative professionals get paid for their work.
Clients often use excuses such as 'We ended up not using the work' or 'We think we’ve already paid you enough.' These situations highlight the necessity of having a strong contract to safeguard against such claims.
A well-structured contract should include clear definitions of the work to be done, payment terms, deadlines, and conditions for terminating the agreement. It’s essential to outline expectations to avoid misunderstandings.
If project requirements change significantly, it’s important to close the current contract and negotiate a new one. Continuing work without a new agreement can lead to complications and disputes.
Yes, you can fire a client if the relationship deteriorates, but this should be clearly outlined in the contract. Having a solid reason for termination is important to maintain professionalism.
Seeking legal advice when drafting contracts is a sign of professionalism. It helps ensure that the contract is comprehensive and protects your interests, reducing the risk of future disputes.
Empowering yourself as a designer involves taking control of your business relationships through effective contracts. Recognizing your value and setting clear terms can lead to healthier client interactions.
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Mastering Content Creation for Designers: Strategies for Success
In this engaging session, Katie shares her insights on effective content creation strategies for designers. She emphasizes the importance of understanding your audience, crafting compelling messages, and using content to connect with potential clients rather than just seeking likes or views.
Unlocking Freedom: The Four Pillars of the Freedom Creator Model
In this video, the speaker reveals the four main pillars of the Freedom Creator Model, which have enabled him to consistently earn around $30,000 a month. He discusses the importance of crafting the right offers, leveraging paid ads for client acquisition, and building a business that serves your life and aligns with your calling.
Mastering Logo Design: Key Insights and Techniques
This video delves into essential aspects of logo design that are often overlooked, emphasizing the importance of understanding the target audience and the emotional impact of logos. It also introduces innovative tools for creating stunning mockups and offers practical tips for presenting designs effectively to clients.
How to Build a Million-Dollar Ghostwriting Business: Marcos' Blueprint for Success
Learn how Marcos built a million-dollar ghostwriting agency as an introvert in just two years.
Transform Your Life: Lessons from Robin Waite on Business Success and Productivity
Unlock your potential in business and productivity with insights from Robin Waite's coaching experiences.
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Kolonyalismo at Imperyalismo: Ang Kasaysayan ng Pagsakop sa Pilipinas
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Mastering Inpainting with Stable Diffusion: Fix Mistakes and Enhance Your Images
Learn to fix mistakes and enhance images with Stable Diffusion's inpainting features effectively.
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Tuklasin ang mga pamamaraan at patakaran ng mga Espanyol sa Pilipinas, at ang epekto nito sa mga Pilipino.
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Learn to install and configure the new Forge web UI for Stable Diffusion, with tips on models and settings.

