Introduction to Macbeth as a Tragic Hero
Shakespeare’s Macbeth is a classic tragedy featuring Macbeth as the tragic hero, a highly renowned figure who experiences a reversal of fortune due to a fatal personal flaw, known as a hermatia. According to Aristotle’s Poetics, this character type engenders both fear and pity. For a detailed exploration of these aspects, see Exploring the Themes of Ambition, Guilt, and Supernatural Influence in Macbeth.
Macbeth’s Initial Reputation and Setting
Before Macbeth appears on stage, he is depicted as a brave and noble warrior. Act 1, Scene 2 introduces Macbeth through a sergeant’s vivid account of his battlefield valor, showcasing the violent world where strength defines honor. King Duncan and Banquo both praise Macbeth’s nobility early on, establishing him as a respected figure.
The Witches' Prophecies and Macbeth’s Ambition
In Act 1, Scene 3, Macbeth and Banquo receive prophecies predicting future greatness. Banquo responds with skepticism, while Macbeth shows visible surprise and internal stirring, suggesting the prophecy awakens a deep ambition. This contrast with Banquo, Shakespeare’s foil, highlights Macbeth’s tragic flaw: vaulting ambition. To further understand this dynamic, consider Banquo and Macduff as Foils to Macbeth in Shakespeare's Play.
Macbeth’s Descent into Darkness
By Act 1, Scene 7, Macbeth openly admits in a soliloquy that his unchecked ambition spurs him towards murdering King Duncan. He subsequently orders the murders of Banquo, Lady Macduff, and her children, descending into tyranny and evil. Other characters reflect this shift, Lenox describes the kingdom as suffering, Malcolm calls Macbeth a devilish tyrant, and Macduff brands him a hellhound. This scene is explored in more detail in Macbeth Act 1 Scene 7 Summary: The Inner Turmoil of Ambition and Morality.
Maintaining Audience Sympathy
Shakespeare employs techniques to evoke pity, preventing Macbeth from becoming a pure villain. Key murders happen offstage, preserving some humanity in Macbeth by not exposing him directly committing brutal acts. Hecate’s comments frame Macbeth as not inherently evil but driven by selfish love, and his final battle scenes reveal moments of bravery, recalling his noble origins.
Macbeth’s Final Stand and Tragic End
In the climactic scenes, Macbeth faces his adversaries courageously, refusing to yield even when confronted with his imminent death by Macduff, who was delivered by Caesarean section. This steadfastness adds complexity to his character and fulfills Aristotle’s ideal that tragedy should inspire both fear and pity. For a complete overview, refer to the Complete Macbeth Exam Guide: Plot, Characters, Themes & Context.
Conclusion
Macbeth’s journey, from celebrated hero to tyrannical villain and finally to a tragic figure worthy of pity, illustrates Shakespeare’s mastery of tragic characterization. His ambition triggers his fall, yet his courage and complexity prevent outright hatred from the audience.
For further insights, viewers are encouraged to explore Mr Bruff’s guide to Macbeth, which includes the full text, modern translations, and detailed analyses, see Understanding Macbeth: A Comprehensive Summary of Shakespeare's Tragedy.
hello everybody in today's video we're going to look at the character of macbeth
now there are a number of different ways you can analyze this character the first thing i want to talk about is
macbeth as tragic hero shakespeare's play is a tragedy and macbeth is the tragic hero
what does that mean well the greek philosopher aristotle in his work poetics defines the tragic
hero as someone who is highly renowned who has a reversal of fortune from good to
bad and whose misfortune is brought about by some personal
error or frailty which we call a characters hermatia or tragic flaw when we're analyzing characters in
literature it's always useful to look not just at what they themselves say and do but at what other characters say
about them and to them in the opening scenes of the play even before the audience meets
macbeth he is certainly presented as someone who is highly renowned
in act 1 scene 2 the sergeant describes how brave macbeth killed mcdonald on the battlefield
cutting him open from the nave to the chops whilst this imagery might seem pretty gory and even shocking to us
today it's a good indicator of the violent world in which the play is set
it's a world where people prove themselves worthy of honor by their actions on the battlefield and
we see this echoed throughout the play much later when sirward learns of his son's death in battle he's pleased to
know that his son's wounds were to his front not his back meaning he did not die
running away from his foe but facing them head-on this is a violent play with blood spilled from the
start to the end and it's into this setting that macbeth is placed in a 2010 oxford university
lecture dr emma smith describes how the world the play is set in
is a society which has no principle of rule other than strength where might not right rules i'll be
looking further at that lecture in an upcoming video so make sure you're subscribed to the
channel but for now let's just point out that macbeth is well respected in this world of might and physical
strength act 1 scene 2 ends with king duncan referring to macbeth as noble a town which macbeth's friend banquo
will repeat in act 1 scene 3 referring to macbeth as his noble partner so in these opening three scenes
we see that macbeth is indeed highly renowned from the sergeant who witnessed his
actions on the battlefield the king he serves and his close friend this well-rounded
trio of opinion leaves the audience with no doubt that macbeth starts the play as a man well
respected by others however when macbeth meets the witches who prophesy
among other things that he will one day be king we see what many think of as macbeth's hermatia his ambition to
help us understand the significance of macbeth's reaction to the witches we can compare it to the reaction of
banquo who is with him at the time and also receives a prophecy from the so-called weird sisters and
this is very important from shakespeare as it allows us to compare the reactions and
future actions of both men shakespeare essentially uses banquo as a foil
a foil is a character who contrasts with another character usually the protagonist to highlight
qualities of that other character bancor and macbeth are perfect parallels at the start of the play
both are currently in favor with the king following their fearsome performance in battle
both are given predictions by the witches upon their first meeting in act 1 scene 3
both are promised greatness in the future yet both react in such a different way
banquo is just not that interested and is also a bit skeptical and wary saying that he does neither beg nor fear your
favors nor your hate macbeth's reaction is very different when the witches prophecy he will one
day be king banquo asks macbeth why do you start meaning
why are you so startled the audience might ask themselves the same question why is macbeth so startled well perhaps
it's because the witches have given voice to his inner ambitions of one day
becoming king in an upcoming video we'll look at who if anyone persuades macbeth to kill the
king but one thing is for sure after seeing the witches macbeth descends into the
path of destruction which will ultimately bring about his demise
in act 1 scene 7 macbeth himself admits that it is his own vaulting ambition spurring
him on to kill king duncan he says this in a soliloquy speaking not to another character but to himself
verbalizing his thoughts on stage for the benefit of the audience in terms of the tragic hero macbeth is
here admitting his own hermatia as we all know macbeth goes on to kill king duncan before
ordering the murders of banquo france who escapes and the wife and children of macduff
he descends into a deep pit of evil and rather than look at each scene individually
let's continue with the model from earlier in the video and explore the way other characters speak about and to
macbeth in the rest of the play in act 3 scene 6 lenox refers to the country suffering
under a hand accursed even the witches note macbeth's arrival in act 4 scene 1 with
something wicked this way comes in act four scene three malcolm calls macbeth a tyrant whose
soul name blisters our tongues and labels him devilish in act five scenes seven
young si would cause macbeth a tyrant macduff calls him hellhound in act five scene 8
and in the play's final scene after macbeth is killed malcolm calls macbeth a dead butcher we
might add to this downward spiral into evil by exploring the lack of interest macbeth shows in the news that his wife
has died in act 1 scene 5 macbeth addresses his wife as my dearest love
four acts later in act 5 scene 5 when told of lady macbeth's death he replies she should have died
hereafter it's as if macbeth has lost his ability to feel following the murderous path he's been traveling down
from brave noble and peerless at the start of the play to wicked tyrant and devilish later on
clearly macbeth has fallen from his position of renown however shakespeare is keen to give macbeth some
redeeming qualities and this is worthy of analysis again in his poetics
aristotle stated that the purpose of tragedy is to excite pity and fear we learn to fear the dangers of being
over-ambitious but do we pity him macbeth needs to evoke sympathy in the audience so that when he dies they feel
pity for him if we hate macbeth we won't learn any lesson from his downfall
after all he's not supposed to be an out and out villain he's supposed to be a character of good
reputation whose one fatal flaw leads to his downfall so let's look at how shakespeare tries to
keep the audience at least somewhat sympathetic towards the character of macbeth
in acts 2 scene 2 macbeth murders duncan but this key moment takes place off stage we don't witness the murder
why in order to help the audience to still see some shred of humanity in macbeth
if we witnessed him killing the king with his bare hands we'd surely hate him similarly the murders of banquo lady
macduff and her children do not take place at the hand of macbeth himself but at his order
and why for the same reason surely we could never feel a shred of pity for macbeth
if we witnessed him murder his friends and other innocents shakespeare also uses structure to
ensure the audience never grows to hate macbeth in act 3 scene 5 an angry hecate tells
the witches that macbeth is a wayward son spiteful and wrathful
who as others do loves for his own ends not for you hecate essentially tells the witches
that macbeth is as wayne c booth puts it not a true son of evil and what happens in the previous two
scenes the murder of banquo and the appearance of banquo's ghost in other words at a point in the play
where the audience might be tempted to hate macbeth the hecate speech brings them back in
line to thinking that macbeth is not truly evil in act 5 as the play draws to an end and macbeth's doom
appears to be inevitable shakespeare paints macbeth as heroic and brave just like in the opening scenes of the
play macbeth has some success in the battle for example killing his challenger
young sirwood even when macbeth learns that mcduff was born by caesarean and so is going to kill him he refuses
to surrender telling macduff i will not yield in act 5 scene 8. his statement that before my body i
throw my warlike shield in the same scene is both brave and in this world where actions on the
battlefield are so significant in proving character honorable in fact some critics have gone
so far as to say that the ending of the play is the bravest moment of all for macbeth
if aristotle's view is that a tragedy should excite pity and fear then macbeth has achieved just that
we learn to fear the dangers of being over-ambitious but we also pity the man whose final moments of bravery
remind us of his good standing at the start of the play and whose vaulting ambition
caused everything to crumble around him now there are other ways of looking at the character of macbeth and we will get
into that in future videos so please do subscribe to the channel and if you'd like more of these character analysis
videos do give the video a thumbs up also be sure to check out mr bruff's guide to macbeth which is linked in the
description it contains the complete play a line by line translation into modern english
and detailed analysis thanks for watching
Macbeth is considered a tragic hero because he is a respected and noble figure who experiences a reversal of fortune due to a fatal personal flaw—his unchecked ambition, known as a hamartia. According to Aristotle's definition in Poetics, such a character evokes both fear and pity in the audience, as we see Macbeth's downfall caused by his own choices rather than pure evil.
The witches' prophecies awaken a deep ambition in Macbeth by predicting his rise to greatness, which stirs his desire for power. Unlike Banquo, who is skeptical, Macbeth takes the prophecies seriously, which sets him on a path of moral decline as he begins to plot King Duncan's murder to fulfill the prophecy. This pivotal moment highlights his tragic flaw—vaulting ambition.
Shakespeare preserves audience sympathy by not showing Macbeth committing key murders onstage, which maintains some humanity in his character. Additionally, other characters suggest Macbeth is driven by selfish love rather than inherent evil, and his final courageous stand evokes pity. These techniques prevent him from becoming a pure villain and keep his complexity intact.
Banquo and Macduff serve as foils to Macbeth by embodying traits that contrast with his ambition and moral decline. Banquo remains skeptical and honorable despite similar prophecies, highlighting Macbeth’s tragic flaw. Macduff’s role as Macbeth’s adversary culminates in Macbeth’s downfall, underscoring themes of justice and retribution in the play.
Initially, Macbeth is a brave and noble warrior, respected by King Duncan and others for his valor. However, after hearing the witches’ prophecies, his unchecked ambition leads him to murder and tyranny. Despite his descent into evil, he retains moments of bravery and complexity, especially in his final battle, which evokes both fear and pity before his tragic end.
Key murders occur offstage to preserve some of Macbeth’s humanity, avoiding the portrayal of him as a purely brutal villain. This technique allows the audience to focus more on his internal conflict and psychological turmoil rather than graphic violence, enabling a more nuanced perception that elicits pity and fear rather than outright hatred.
Macbeth’s final battle demonstrates his courage and refusal to yield despite facing certain death, fulfilling Aristotle's ideal that a tragic hero meets his fate with dignity. His death at the hands of Macduff, who was born by Caesarean section and thus outside the witches' prophecy, symbolizes the inescapability of fate and completes Macbeth's tragic arc by balancing his flaws with bravery.
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