Introduction to Inspector Goole
Inspector Goole is a complex, symbolic figure in J.B. Priestley's "An Inspector Calls." Described as a physically imposing, serious man in his 50s, he embodies themes of justice and morality. The play intentionally leaves his true nature ambiguous, he could be a man, ghost, or a moral force, encouraging audiences to view him as a vehicle for Priestley's socialist ideals and community responsibility.
Physical and Behavioral Description
- Described as having massiveness, solidity, and purposefulness.
- Wears a plain, dark suit symbolizing the "dark side" of the Berling family.
- Speaks carefully and calmly, creating an intimidating presence.
- Maintains controlled behavior even when raising his voice.
Interrogation Techniques and Strategy
Inspector Goole uses a methodical, calculated approach to interrogate the Berling family members individually, controlling the flow of information to maximize confessions and self-revelations.
- Separates characters to prevent collusion.
- Limits access to Eva Smith's photograph.
- Employs direct, pointed questions.
- Occasionally leaves the room to encourage characters to confront each other.
- Uses psychological tactics such as shocking revelations to disarm suspects.
Interactions with Each Berling Family Member
Mr. Berling
- Viewed with disdain due to his capitalist and self-interested philosophy.
- Inspector counters his views by emphasizing community and charity.
- Uses Mr. Berling's own words to highlight his selfishness and misplaced priorities.
Sheila
- Treated with more compassion, acknowledging her partial innocence.
- Inspector gently pressures her to accept responsibility.
- Uses emotional impact, such as showing Eva's photo, to elicit guilt and cooperation.
Gerald
- Inspector uses the name "Daisy Renton" to catch Gerald off-guard.
- Leaves the room to allow Sheila to confront Gerald, eliciting his confession.
- Employs a harsher tone to emphasize Gerald's moral failings.
Mrs. Berling
- Targets her arrogance and lack of empathy.
- Accuses her of lying and deliberately avoiding responsibility.
- Pushes her into revealing family secrets, particularly about Eric.
Eric
- Shows slight sympathy to encourage confession.
- Defends Eric from family attacks during confession.
- Ultimately uses compassionate tactics strategically rather than from genuine empathy.
Inspector Goole’s Knowledge and Symbolism
The extent of the Inspector’s prior knowledge remains ambiguous.
- Likely has some background from Eva Smith’s diary and morgue visit.
- Could be bluffing or partially fabricating details.
- This ambiguity enhances the symbolic nature of his character as a moral catalyst rather than merely a realistic detective.
Impact on the Berling Family
- Forces each family member to confront their role in Eva Smith’s demise.
- Breaks down the facade of respectability.
- Challenges their reluctance to accept social responsibility.
- Leaves the family changed, highlighting the play’s theme of moral accountability.
Conclusion
Inspector Goole is a masterful symbol of social conscience in "An Inspector Calls." Through calculated interrogation tailored to each character, he exposes hidden truths and compels the Berling family, and the audience, to reflect on their moral obligations. Regardless of his true identity, his role drives the play's central message advocating empathy and collective responsibility.
For additional insights on moral themes in literature and effective character analysis, consider exploring Exploring Themes in To Kill a Mockingbird: A Reflection of Social Issues and Mastering Evaluation for IB English Paper One. These resources offer complementary perspectives on social responsibility and critical analysis techniques relevant to Priestley’s work.
[Music] n [Music]
welcome back to click revision now that we've investigated each of the berlings in turn we're going to turn our
attention to inspector [Music] ghoul we're going to look at how he's
described his personal politics and his feelings towards each of the berlings we'll also examine his
interview techniques and how he manipulates each of the characters to get what he wants from them
[Music] but first how should we go about looking at the inspector as a character is he a
man is he a ghost or God or the devil or is he something else entirely well we'll look at this in more detail in a later
video but for now try to think about the inspector as being all of those things try not to get twoo fixed on one
solution because there isn't one single solution in fact the more possible meanings you can take away from the play
the more likely you are to be able to show understanding in your exam ultimately it doesn't matter who or what
you believe the inspector is as long as you recognize that he is a symbolic figure and a way for JB Priestley to put
forward his views of the world and try to promote Community spirit and socialism so let's start by having a
look at how JB Priestley describes him in the stage directions it says that the inspector creates at
once an impression of massiveness solidity and purposefulness so he has to be a physically imposing presence on the
stage he needs to be someone who looks like he can command a room in which he isn't welcome because that's exactly
what the inspector does throughout the play he's in his 50s making him about the same age as Mr Burling and he's
wearing a plain darkish suit he's dressed plainly so that people will expect him to be ordinary when in truth
he is anything but and his suit is dark because represents the dark side of the upstanding respected Berling family he's
like a dark cloud floating from Berling to Berling destroying their secure privileged world he speaks carefully
weightly so you know he's serious and has something important to say and this also shows he's calm and
intelligent and finally he has a disconcerting habit of looking hard at the person he addresses before actually
speaking so he's an intimidating person to have a conversation with the first thing to note about the
inspector is that he is incredibly controlled in his behavior even when he raises his voice he is measured and as
he tells Mrs Burling he never takes offense he's also clearly very determined and will not easily be put
off his investigation upon entering the Burling house the inspector's polite and he
limits himself to very short comments until he's been invited in and offered a seat he gives nothing away until Mr
Burling begins to show impatience and then he gives them all the horrible detail TS of Eva Smith's death all at
once clearly ghoul's intention here is to disarm the three men in the room by Shocking them and though Burling isn't
moved by the girl's death very much it stops him being impatient for long enough for the inspector to start his
questions now as we've established inspector ghoul chooses the order in which he will interview the characters
deliberately and if he's to achieve this then he has to always be in control he claims that he's separating
each character out because it's the way I like to work one person and one line of inquiry at a time otherwise there's a
muddle and Burling seems to respect this calling it sensible however the inspector has deeper motives than this
by keeping the characters separate he is controlling the flow of information and ensuring he can get everybody's story
from them he limits who sees the photograph of Eva Smith possibly because he shows each person a different photo
and he dictates who should stay and leave at any given time and sometimes leaves the room himself in order to give
the Burling a false sense of security he also asks direct questions which means he generally gets the answer
he's looking for and can lead each conversation in the direction he chooses he basically has a divide and
conquer methodology and never puts himself in a position where the other characters can gang up upon him so
inspector ghoul interviews Mr Berling first which makes sense because he's the head of the household and without
getting through him the inspector probably won't get to speak to anyone the inspector clearly doesn't
like Mr Burling very much and is unthreatened by burling's attempts to intimidate him with his status so we can
assume he isn't a very big fan of the upper classes in general he clearly disagrees with burling's philosophy of
taking care of yourself at the expense of everyone else and isn't afraid for Burling to know
it the inspector's comment here is really important because it sums up one of the key messages of the play by
saying it's better to ask for the Earth than to take it ghoul is batting burling's ideas of selfism and taking
care of yourself right back at him and arguing that Berling should be helping those less fortunate than him rather
than punishing them for it the same can be said about this exchange here Burling is angrily
complaining to the inspector about his nice family celebration being turned into a nasty mess and the inspector
instantly flips the conversation back to being about Eva Smith and the nasty mess her suicide made of her the fact the
inspector repeats burling's own words back at him creates a strong contrast and forces the audience audience to
question burling's priorities in fact throughout the evening the inspector continually brings the conversation back
to the dead girl and how impoverished her life was he shows constant empathy for the conditions in which Eva Smith
lived and will not let the berlings forget that people have a moral responsibility to one another the
inspector definitely isn't afraid of offending Mr Burling who calls the inspector's questions uncalled for and
officious and Berling seems to get more angry with the inspector as the evening goes on and the inspector impli Ates his
family more and more so after he's finished with Burling inspector ghoul interviews Sheila and
this is a good example of how the inspector controls the flow of information for his own gain at first
the inspector shocked Sheila with the details of the suicide but then he sits back a bit and answers some of the
questions that she has for him he's particularly harsh here forcing Sheila to really picture the agony of Eva
Smith's death and the horrible state it left her body in then he shows she the picture of Eva Smith which causes her to
break down and run out of the room why does he do this well he already knows that Sheila will be horrified at the
thought of contributing to the girl's death so when she returns she already feels guilty enough to tell him
everything this is another one of the inspector's tricks he doesn't so much as interrogate the others he simply finds a
way to get people to speak and then just listens to them as Sheila says later he's giving us the Rope so that we'll
hang ourselves he simply has to to wind the characters up enough for them to start talking and then just leaves them
to it Sheila lays herself bare for him because she feels guilty about the death of Eva Smith because the inspector has
pushed the right buttons to get the reaction he wants as she tells Gerald later somehow he makes you talk
nonetheless despite his manipulations inspector ghoul clearly has more respect for Sheila than he does for Mr Berling
because he shows her some degree of compassion firstly he says Sheila is not entirely to blame and then later when
Gerald tries to persuade the inspector to send Sheila out of the room he supports her explaining why she feels
compelled to stay she feels responsible and if she leaves now and doesn't hear anymore then
she'll feel she's entirely to blame she'll be alone with her responsibility the rest of tonight all tomorrow all the
next night this kindness draws Sheila to him she's fascinated by him at this point and is definitely part of the
reason she's so quick to start helping him break down the barriers put up by Gerald and Mrs Berling as the inspector
says when Mrs Burling tells him he's made an impression on Sheila we often do on the young ones they're more
impressionable Gerald is interviewed next but the inspector needs to set up the situation to his liking first so he
mentions the name Daisy Renton we know the inspector already knows Gerald is implicated in Eva Smith's death because
he asks him to stay when he first arrives so we can assume that he also knows how Gerald and Daisy Ron knew each
other from reading the dead girl's Di by dropping Daisy renton's name he catches Gerald off guard and Gerald
makes it obvious that he knows the girl to everyone and most importantly to Sheila look at the stage Direction here
Sheila merely nods while she's taking in all the information that's being given to her at this point the inspector makes
an excuse and slips out of the room leaving Sheila to interrogate her fiance for him this is yet another of the
inspector's cunning tricks he is great at turning the characters against each other by leaving the room he forces
Gerald to admit his infidelity to Sheila which in turn makes it much easier for him to tell his full story when the
inspector re-enters basically Gerald only comes clean to the inspector because it's
clear that his secret has already been discovered and he has nothing else to lose by continuing the LIE the inspector
also goes out of his way to make Gerald feel guilty for his behavior and his treatment of Eva Smith compare the snide
nature of this exchange to the generally civil and supportive way he's just handled she
and it becomes clear that the inspector doesn't just ask each person the right questions or push the right buttons to
get them speaking he actually addresses each character in a completely different way to get under their skin for example
during Gerald's questioning the inspector goes out of his way to give Gerald a lot more information about
Daisy Renton than he does the other characters there is little reason for ghoul to pass this information over
unless it is to make Gerald feel worse on a personal level so the inspector is measured but that doesn't mean he isn't
above being br brutal to get what he wants later on he appears to act even more harshly towards Mrs Burling who he
clearly doesn't like in the slightest here Sheila is trying to warn her mother of the inspector's tactics
and when the inspector tells Mrs Burling yes and she'd be right he's basically saying to her I am going to break you
Mrs Berling spends her life hiding behind a wall of her own of course one of propriety and
self-righteousness and the inspector knowing this is the same barrier that caused people like the berlings to
behave so badly towards the lower classes is determined to knock the wind out of her
sales let's have a look at this exchange here Mrs Burling is desperately trying to pretend she doesn't recognize the
girl in the photo and the inspector is clearly out of patience with her he tells her she is deliberately choosing
not to understand and outright accuses her of lying to him which is obviously going to offend someone like Mrs Burling
who thinks the rules of society apply to everyone but herself the same is true of this exchange Mrs
Burling is going out of her way to avoid answering the inspector's direct questions and the inspector is
continually batting each slippery sentence she utters back at her why is he doing this well at this point in the
play the inspector needs Mrs Berling as incensed offended and hay as possible so that when he tries to pass some measure
of blame for Eva Smith's death onto Mrs Berling she will try and wriggle out of it by blaming the girl and the father of
her unborn child he knows she's too arrogant and pompous to accept any responsibility and that she's incapable
of showing empathy for anyone less fortunate than herself and this is just how he gets her to incriminate
Eric so poor Eric by the time he arrives back at the house his sister has revealed he's a drunk and his mother has
unwittingly blamed him for everything so how does the inspector get him talking well quite simply he shows the tiniest
bit of support for Eric against his family of betrayers in short the inspector says yes you can have a drink
when Eric's father says no at this point the inspector knows that Eric is going to be racked with grief over the death
of his ex-girlfriend an unborn child so he only has to show Eric the smallest kindness to get him to open up indeed
the inspector continues to defend Eric from the rest of the family throughout his confession however considering that
ghoul tells Eric he used Eva Smith as if she was an animal a thing and not a person we can assume that he isn't
actually as sympathetic towards Eric as he is towards Sheila and that he offers Eric support solely to get a confession
out of him of course all these methods of interrogation raise a good question about the inspector and points to one of
the big Mysteries of the play that is how much does the inspector already know when he arrives at the house Sheila is
of the opinion that ghoul already has all the details he needs While others believe he simply makes a few smart
guesses based on some smaller details this last quote is from Burling and comes after the inspector has left the
house but it certainly shows how the Burling family realized they have played right into the inspector's hands it's
extremely unlikely you'd be asked to answer an exam question on what the inspector already knows when entering
the house simply because there's no way we can say for sure but it's certainly an interesting thing to consider we know
he had some background on Eva Smith from her diary including her previous jobs and some details about the people she
interacted with this has also given him some information that fills in the blanks between each of the burling's
encounters with her he also knew she was pregnant having just been to the morg and seen her body first hand but beyond
this it's unclear how much of the information given to him by the family is new to him or if he is even telling
the truth on the few occasions when he claims to have not known something such as when Sheila admits to having Eva
Smith sacked from Milwood however it is also entirely possible that the inspector knows far
less than he is letting on as far-fetched as Gerald theory on ghoul's visit is but a man comes here pretending
to be a police officer that it's a hoax of some kind it could be completely correct the inspector could be
pretending he might just be working on bits of information he's picked up here and there he could just be bluffing his
way through the evening offending each of the burling's high class sensibilities enough to get them outside
each of their comfort zones if you want to push this Theory even further you could even argue that
he's lying about Eva Smith keeping a diary ultimately though it doesn't really matter how much the inspector
knows when he arrives and your opinion on this subject is bound to change depending on whether you believe the
inspector is a normal man or something else entir L what's important is that whatever he knows he gets exactly what
he wants from the berlings and when he leaves he knows everything whether they have accepted their guilt or not the
Burling family know that between them they've sent two people to their deaths they're changed for their experience and
it's safe to say the unimpeachable Berling family unit has been broken in a way that can never be fixed by hiding
behind their veneer of respectability so that's all for now we'll be covering more on inspector gou
in the video that focuses on meaning structure and ambiguity later in the season our next video will focus on the
victim of the story Eva Smith but we'd recommend you attempt to write a few sentences in answer to each of these
questions before you move on question one how would you describe the inspector choose five words or
phrases that you feel sum up ghoul's character and write a sentence or two explaining why you feel each one is
appropriate question two how does the inspector behave differently towards each of the
characters explain some of his interrogation techniques question three does the
inspector behave in a professional way towards the Burling throughout the evening try to back up your opinions
with evidence from the text
Inspector Goole is a symbolic and enigmatic character in J.B. Priestley's play, embodying themes of justice, morality, and social responsibility. His ambiguous nature—as possibly a real man, a ghost, or a moral force—allows him to serve as a vehicle for Priestley’s socialist ideals and urges the audience to reflect on community accountability.
Inspector Goole employs a calculated, methodical approach by separating the Berling family members to prevent collusion, controlling access to information like Eva Smith’s photograph, and posing direct, pointed questions. He also uses psychological tactics such as creating moments for characters to confront each other and introducing shocking revelations to elicit confessions and self-awareness.
He approaches each character uniquely: with Mr. Berling, he challenges capitalist selfishness; with Sheila, he shows compassion while urging responsibility; with Gerald, he uses strategic pressure including leaving the room to prompt confession; he confronts Mrs. Berling’s arrogance and forces revelations about Eric; and with Eric, he balances slight sympathy with strategic encouragement to confess.
The uncertainty around Inspector Goole’s prior knowledge—whether he had concrete evidence or is partially bluffing—enhances his symbolic role as a moral catalyst rather than a traditional detective. This ambiguity invites the audience to focus on the ethical lessons he delivers rather than the realism of his investigation.
He compels each family member to confront their involvement in Eva Smith’s downfall, dismantling their façade of respectability and challenging their avoidance of social responsibility. This forces a transformation within the family and reinforces the play’s central messages about moral accountability, empathy, and collective social conscience.
This physical description emphasizes his intimidating, authoritative presence and symbolizes the 'dark side' of the Berling family’s conscience. The plain suit reflects his role as an impartial moral judge and the seriousness of the social critique he embodies within the play.
By analyzing Inspector Goole’s techniques and symbolism, readers gain insight into how playwrights use complex characters to convey moral messages about community and social ethics. This understanding supports deeper evaluations of themes like justice and collective accountability, relevant to broader literary studies and critical essays on moral responsibility.
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